Portrait of a Young Man in a Red Cap: Sandro Botticelli :: essays research papers

Portrait of a Young Man in a Red CapSandro Botticelli, real name Alessandro di Mariano Filipepi, was one of the sterling(prenominal) painters of the Florentine Renaissance. His work, Portrait of a Young Man in a Red Cap, captures his highly personalized style. He is known for his execution and little use of lines to portray objects realistically. The Portrait of a Young Man in a Red Cap will be the first of our discussion, and first a background of Sandro Botticellis artistic relations is necessary.& adenine9Botticelli was born in Florence Italy (1445-1510) and worked as an apprentice to a goldsmith early in his career. He then served as an apprentice to the painter Fra Fillippo Lippi. After working with Lippi, Botticelli developed his sense of line working with Andrea del Verrocchio. By 1470 he had his own industrial planthop, where he spent most of his time producing pieces for the Medici family. It was by means of the Medici family that Botticelli was influenced by Christ ian Neoplatonism, which exemplified Christian views. From this point Botticelli developed such works as the Portrait of a Young Man in a Red Cap.&9The painting, which is quite simple in nature, depicts zero much than the bust of a teenage boy with a rubicund hat on. The boy is uniquely outlined on each spot with the right side of his body gently fading into a sinister backdrop and the left having a sharp and precise line separating him from the black. As the viewer may bank bill, the new-fangled man does not pose whatever facial gesture which may depict emotion. It is therefore almost unthinkable to know the feelings of Botticellis subject. Many feel that Botticelli was merely documenting the boys physical appearance without evoking feeling from his viewers. Botticelli overly used much more(prenominal) detail on his face than he did on the clothing of the infantile man, which supports that it is a portrait. He uses tones of red from the sharp hat to the tones of his s kin. A chocolate-brown color is used to unify his hair, lips, and eyes. The boys wardrobe also includes a jacket typical of the time period. In a more in depth look at the portrait, one may notice that it shades from a rich red color at the chair to a dark brown color at the bottom. The light source shines from the left side of the picture while it brightens the right side of the young mans body.