Friday, March 22, 2019
Laura Equirels Like Water for Chocolate Essays -- Esquivel Like Water
Laura Esquirels, Like Water for Chocolate, is a modern daylight Romeo and Juliet filled with mouthwatering recipes. It has become a valued part of American literature. The fabrication became so popular that it was developed into a film, becoming a achiever in both America and Mexico. Alfonso Arau directs the film. After reading the novel and beholding the movie, I discovered several distinct differences mingled with the two as well as some riveting similarities. The novel begins with the main character, Tita, being born on the kitchen circuit card. Tita had no need for the usual slap on the bottom, because she was already crying as she emerged maybe that was because she knew that it would be her lot in life to be denied marriage Tita was literally washed into this world on a great tide of tears that spilled over the edge of the table and flooded across the kitchen floor (Esquirel 6). Although this is included in the film with awed accuracy, the movie begins with a opposite s cene. The movie opens with Titas father issue to a bar to celebrate the birth of his daughter. On the way a friend informs him of his wifes, Mama Elena, affair with a gay having lightlessness blood in his veins. The terrible news brings on a shopping centre attack killing him instantly. In the book, this information is not given until the warmheartedness chapters. As the novel continues, another character is introduced, Gertrudis. Gertrudis, the older sister of Tita, is the commencement to rebel against her mothers wishes. Wanting to escape the securities of home, Gertrudis is overwhelmed by her obscene passions. A soldier, not too far away, Juan, inhales the olfactory property of her desire and heads her way. The aroma from Gertrudis body guided himThe woman desperately needed a man to quench the red-hot fire that was raging inside herGertrudis stopped runnel when she saw him riding toward her. Naked as she was, with her loosened hair locomote to her waist, luminous, glow ing with energy, she might have been an angel and devil in one womanWithout slowing his stretch out, so as not to waste a moment, he leaned over, put his arm around her waist, and lifted her onto the horse in front of him, face to face, and carried her awayThe act of the horse combined with the movement of their bodies as they made delight for the first time, at a gallop and with a great deal of difficulty (Esquirel 55). This imagery is tremendous. Every intellect that Esquir... ...said, Beauty is in the eye of the beholder. Another striking difference between the movie and the book is that both are developed by different sexes. This obviously could effect the compare and contrast views of this paper. For example, being male, I embed that the two images that left the greatest impression were of sexual nature, Gertrudis making love with the soldier, and Tita being intimate with Pedro. The different views of the sexes may also be the resolve to some of the contrasts between t he movie and novel. For instance, the death of Mama Elena. Esquirels reading fits the emotional death, suicide, geared toward the female audience, while Araus shows a more than sexual and violent death, extinguishing the male desire for action. In conclusion, I found the novel more entertaining than the movie. The reason the movie felled seam short in expectations is because Esquirel does a great job in allowing the subscriber to draw on their imaginations. However, Arau is able to capture this imagery occasionally passim the movie. Furthermore, most of the changes added to the movie were grand, which added to the thrill and plot of the story. Overall, both are unforgettable and deserve their legacy.
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